I established my practice in 2000 with a simple ambition: to bring together fine art sensibility, traditional glassmaking skills, and a deep attentiveness to place — creating distinctive contemporary work that responds to both historic and modern settings.

Over the past twenty-five years I have been privileged to work across a wide range of public and private commissions, including buildings at World Heritage sites, working always with traditional materials and methods to make work that feels both rooted and alive.

Much of my inspiration comes from other applied arts — carving, textiles, ceramics — and the way they carry human experience in rich decorative and symbolic languages. Their tactile quality, the sense of a hand at work, the way ornament becomes meaning: these are things I seek to bring into glass.